2011
Lilya Kaganovsky
- Associate Professor
- University of Illinois at Urbana-Champaign
Abstract
Looking at the intersection of art and technology, of politics and policy, and art and the state, this project uses Soviet cinema’s conversion to sound to think about the moment of historical transition (1928-1935) from avant-garde theory to socialist realist practice, and to consider how the “voice” of Soviet power is transmitted via the new technology of film sound.